Artists

Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet

Tickets

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1 U.S. Premiere
20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27 Paulina Swierczek soprano Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3 42 min The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

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