Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Watch the Livestream
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Watch the Livestream
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Watch the Livestream
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Watch the Livestream
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Watch the Livestream
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Watch the Livestream
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Watch the Livestream
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Patricia Westley soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Le Bu bass-baritone
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Lee Bu bass
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Lee Bu bass
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Wei Wu bass
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Meigui Zhang soprano
Cierra Byrd mezzo-soprano
Jonah Hoskins tenor
Wei Wu bass
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
-
Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Beethoven Missa solemnis
Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director
Tickets
- In-person tickets start at $30
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Beethoven’s Missa solemnis
- Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
Donor presale begins Aug 11
General public sales begin Aug 18
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Berlioz’s Symphonie fantastique
- Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Leon Botstein conductor
Evren Ozel piano
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Program & Artists
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10 at 7 PM & Sep 11 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10 at 7 PM & Sep 11 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10 at 7 PM & Sep 11 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Program
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
Joan Tower & Mahler’s 5th
- Sep 10 at 7 PM & Sep 11 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute
Program
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Tickets
- In-person tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
New Voices From the 1930s 2
- May 7 at 8 PM @ May 8 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano
Tickets
- Live in-person Tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
in-person tickets
virtual tickets
New Voices From the 1930s 2
- May 7 at 8 PM @ May 8 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano
Tickets
- Live in-person Tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
in-person tickets
virtual tickets
New Voices From the 1930s 2
- May 7 at 8 PM @ May 8 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano
Tickets
- Live in-person Tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
in-person tickets
virtual tickets
New Voices From the 1930s 2
- May 7 at 8 PM @ May 8 at 2 PM
- Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano
Tickets
- Live in-person Tickets start at $25
- Livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements
in-person tickets
virtual tickets
New Voices From the 1930s
- May 12 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Artists
Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano
Tickets
- Start at $25
New Voices From the 1930s
- May 12 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Artists
Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano
Tickets
- Start at $25
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
buy tickets
BUY TICKETS
Create Your Own Series
Feb 8 Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
buy tickets
BUY TICKETS
Create Your Own Series
Feb 8 Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Rebecca Miller
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Rebecca Miller
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Rebecca Miller
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Rebecca Miller
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Boulanger also led the first performance of Stravinsky’s “Dumbarton Oaks” Concerto, having instigated its creation; it was her idea for Washington’s Bliss family to commission the composer to write a Brandenburg-inspired piece for their private salon at the D.C. estate that gave the work its name.
Composed during the Nazi occupation of Paris and notable for the triumphant trumpet solo of its Finale, Honegger’s Second Symphony for Strings premiered at the Collegium Musicuum in Zurich.
Program
Program
Program
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
- Livestream Tickets $10
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
- Livestream Tickets $10
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
- Livestream Tickets $10
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The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
- Livestream Tickets $10
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
- Nadia Boulanger Three Pieces, for cello and piano
- Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
- Arthur Honegger Symphony No. 2 in D
- Peggy Glanville-Hicks Prelude for a Pensive Pupil
- Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
- Nadia Boulanger Three Pieces, for cello and piano
- Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
- Arthur Honegger Symphony No. 2 in D
- Peggy Glanville-Hicks Prelude for a Pensive Pupil
- Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
- Nadia Boulanger Three Pieces, for cello and piano
- Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
- Arthur Honegger Symphony No. 2 in D
- Peggy Glanville-Hicks Prelude for a Pensive Pupil
- Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
- Nadia Boulanger Three Pieces, for cello and piano
- Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
- Arthur Honegger Symphony No. 2 in D
- Peggy Glanville-Hicks Prelude for a Pensive Pupil
- Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
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Saturday Tickets
Sunday Tickets
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
BUY TICKETS
Saturday Tickets
Sunday Tickets
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
BUY TICKETS
Saturday Tickets
Sunday Tickets
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
BUY TICKETS
Saturday Tickets
Sunday Tickets
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William Grant Still Dismal Swamp
Frank Corliss piano
14 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo by David DeNee
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William Grant Still Dismal Swamp
Frank Corliss piano
14 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo by David DeNee
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William Grant Still Dismal Swamp
Frank Corliss piano
14 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo: Carlos Chávez
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William Grant Still Dismal Swamp
Frank Corliss piano
14 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo: Carlos Chávez
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William Grant Still Dismal Swamp
Frank Corliss piano
14 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo: Carlos Chávez
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William Grant Still Dismal Swamp
Frank Corliss piano
14 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo: Carlos Chávez
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min
Brief remarks by a TŌN musician
Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Gustav Mahler Symphony No. 5
Photo: Joan Tower by Bernie Mindich
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique
Photo: The Orchestra Now by Matt Dine
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by a TŌN musician
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
The concert will last approximately 1 hour and 35 minutes.
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate. Program and artists subject to change.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate.
Sample the Music
Beethoven Missa solemnis
https://www.youtube.com/watch?v=hnrFUFVcDmc
Photo: The Orchestra Now by Trans-Siberian Art Festival
Concert Details
Brief remarks by TŌN bassist Rowan Puig Davis
Beethoven Missa solemnis
81 min
>Read concert notes by TŌN flutist Chase McClung
All timings are approximate.
Sample the Music
Beethoven Missa solemnis
Photo: The Orchestra Now by Trans-Siberian Art Festival