Art & Music in Nineteenth-Century Denmark

Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Art & Music in Nineteenth-Century Denmark

  • Apr 16, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
Artwork from the exhibition Beyond the Light: Identity and Place in Nineteenth-Century Danish Art

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Haydn, Brahms & The Manufactured Classical Ideal

  • Feb 19, 2023 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Haydn Symphony No. 38, Prague
Brahms Variations on a Theme of Haydn
Artwork from the exhibition Chroma: Ancient Sculpture in Color

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art


Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art



Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium


Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium



Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium


Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium



Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium


Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium



Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • Starting at $30

3-Concert series Up to 20% off the full price

Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium


Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • $30/$40/$50
  • 3-concert series from $75 Save up to 20%

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Vaughan Williams & Renaissance England

  • Dec 4, 2022 at 2 PM
  • The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium



Program & Artists

Vaughan Williams Three Portraits from The England of Elizabeth
Artwork from the exhibition The Tudors: Art and Majesty in Renaissance England

Leon Botstein conductor

Tickets

  • $30/$40/$50
  • 3-concert series from $75 Save up to 20%

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Beethoven Missa solemnis

Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director

Tickets

  • In-person tickets start at $30
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Beethoven Missa solemnis

Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director

Tickets

  • In-person tickets start at $30
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Beethoven Missa solemnis

Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director

Tickets

  • In-person tickets start at $30
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Beethoven Missa solemnis

Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director

Tickets

  • In-person tickets start at $30
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Beethoven Missa solemnis

Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director

Tickets

  • In-person tickets start at $30
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Beethoven Missa solemnis

Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director

Tickets

  • In-person tickets start at $30
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Beethoven Missa solemnis

Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director

Tickets

  • In-person tickets start at $30
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Beethoven Missa solemnis

Leon Botstein conductor
Vocal soloists from the Bard Conservatory Graduate Vocal Arts Program
Bard Festival Chorale
James Bagwell choral director

Tickets

  • In-person tickets start at $30
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Beethoven’s Missa solemnis

  • Apr 1, 2023 at 7 PM & Apr 2, 2023 at 3 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

Donor presale begins Aug 11
General public sales begin Aug 18

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Berlioz’s Symphonie fantastique

  • Feb 11, 2023 at 7 PM & Feb 12, 2023 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Weber Der Freischütz Overture
Adolf von Henselt Piano Concerto
Berlioz Symphonie fantastique

Leon Botstein conductor
Evren Ozel piano

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5
Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Program & Artists

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Program & Artists

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Artists

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

 

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10, 2022 at 7 PM & Sep 11, 2022 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Artists

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

 

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10 at 7 PM & Sep 11 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Artists

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

 

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10 at 7 PM & Sep 11 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Artists

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

 

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10 at 7 PM & Sep 11 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater


Artists

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

 

Program

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5

 

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


Joan Tower & Mahler’s 5th

  • Sep 10 at 7 PM & Sep 11 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater



Artists

Leon Botstein conductor
Samantha Martin VAP ’22 soprano
Andrea Ábel ’23 flute

 

Program

George Walker Lilacs
Joan Tower Concerto for Flute
Gustav Mahler Symphony No. 5

 

Tickets

  • In-person tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements


New Voices From the 1930s 2

  • May 7 at 8 PM @ May 8 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater

in-person tickets
virtual tickets

Artists

Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano

 

Tickets

  • Live in-person Tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements

in-person tickets
virtual tickets

New Voices From the 1930s 2

  • May 7 at 8 PM @ May 8 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater

in-person tickets
virtual tickets

Artists

Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano

 

Tickets

  • Live in-person Tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements

in-person tickets
virtual tickets

New Voices From the 1930s 2

  • May 7 at 8 PM @ May 8 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater

in-person tickets
virtual tickets

Artists

Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano

 

Tickets

  • Live in-person Tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements

in-person tickets
virtual tickets

New Voices From the 1930s 2

  • May 7 at 8 PM @ May 8 at 2 PM
  • Fisher Center at Bard, Sosnoff Theater

in-person tickets
virtual tickets

Artists

Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano

 

Tickets

  • Live in-person Tickets start at $25
  • Livestream –  Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price
Health & Safety Requirements

in-person tickets
virtual tickets

New Voices From the 1930s

  • May 12 at 7 PM
  • Carnegie Hall, Stern Auditorium/Perelman Stage

buy tickets

Artists

Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano

 

Tickets

  • Start at $25

Health & Safety Requirements

buy tickets

New Voices From the 1930s

  • May 12 at 7 PM
  • Carnegie Hall, Stern Auditorium/Perelman Stage

buy tickets

Artists

Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano

 

Tickets

  • Start at $25

Health & Safety Requirements

buy tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

Shostakovich & Dawson

in-person tickets
virtual tickets

Artists

Leon Botstein conductor

Tickets

  • Live in-person Tickets start at $25
  • Saturday evening livestream – Pay what you wish

5-Concert series 35% off the full price
Create Your Own series 25% off the full price

Health & Safety Requirements

in-person tickets
virtual tickets

TEMPLATE

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Artists

Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Saturday Tickets
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Artists

Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Saturday Tickets
Sunday Tickets
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Sunday Tickets
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Artists

Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Saturday Tickets
Sunday Tickets
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Saturday Tickets
Sunday Tickets
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Artists

Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Saturday Tickets
Sunday Tickets
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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Saturday Tickets
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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Saturday Tickets
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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Live In-Person tickets start at $15
  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

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  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

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  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Saturday Tickets
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Artists

Tickets

  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

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  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Saturday Tickets
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Artists

Tickets

  • Livestream Tickets $10

In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Create Your Own Series
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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Tickets

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Tickets

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Crosscurrents: Salon and Concert Hall

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Tickets

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Crosscurrents: Salon and Concert Hall

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Tickets

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Crosscurrents: Salon and Concert Hall

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Tickets

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Crosscurrents: Salon and Concert Hall

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Tickets

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Crosscurrents: Salon and Concert Hall

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Tickets

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Crosscurrents: Salon and Concert Hall

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Tickets

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Crosscurrents: Salon and Concert Hall

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Tickets

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Tickets

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Tickets

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Tickets

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Rebecca Miller

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Rebecca Miller

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Rebecca Miller

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Rebecca Miller

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Tickets

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Tickets

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Tickets

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Tickets

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Tickets

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In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Artists

Tickets

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In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.

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Tickets

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Artists

Tickets

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Artists

Tickets

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Artists

Tickets

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Artists

Tickets

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Artists

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Tickets

Presented by the Bard Music Festival

Salons were a haven for the Parisian avant-garde, especially those of Boulanger’s colorful friend and patron, the sewing machine heiress Winnaretta Singer, Princesse Edmond de Polignac. It was there that many ensemble pieces first came to life, including Lipatti’s neo-Baroque Concertino.

Boulanger also led the first performance of Stravinsky’s “Dumbarton Oaks” Concerto, having instigated its creation; it was her idea for Washington’s Bliss family to commission the composer to write a Brandenburg-inspired piece for their private salon at the D.C. estate that gave the work its name.

Composed during the Nazi occupation of Paris and notable for the triumphant trumpet solo of its Finale, Honegger’s Second Symphony for Strings premiered at the Collegium Musicuum in Zurich.

Program

Program

Program

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

  • Livestream Tickets $10

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

  • Livestream Tickets $10

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

  • Livestream Tickets $10

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The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

  • Livestream Tickets $10

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

  • Nadia Boulanger Three Pieces, for cello and piano
  • Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
  • Arthur Honegger Symphony No. 2 in D
  • Peggy Glanville-Hicks Prelude for a Pensive Pupil
  • Dinu Lipatti Concertino in the Classical Style, Op. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

  • Nadia Boulanger Three Pieces, for cello and piano
  • Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
  • Arthur Honegger Symphony No. 2 in D
  • Peggy Glanville-Hicks Prelude for a Pensive Pupil
  • Dinu Lipatti Concertino in the Classical Style, Op. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

  • Nadia Boulanger Three Pieces, for cello and piano
  • Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
  • Arthur Honegger Symphony No. 2 in D
  • Peggy Glanville-Hicks Prelude for a Pensive Pupil
  • Dinu Lipatti Concertino in the Classical Style, Op. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

  • Nadia Boulanger Three Pieces, for cello and piano
  • Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
  • Arthur Honegger Symphony No. 2 in D
  • Peggy Glanville-Hicks Prelude for a Pensive Pupil
  • Dinu Lipatti Concertino in the Classical Style, Op. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

BUY TICKETS

Saturday Tickets
Sunday Tickets

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

BUY TICKETS

Saturday Tickets
Sunday Tickets

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

BUY TICKETS

Saturday Tickets
Sunday Tickets

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

BUY TICKETS

Saturday Tickets
Sunday Tickets

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Nadia Boulanger Three Pieces, for cello and piano

Concert Notes

Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks” ​

Concert Notes

Arthur Honegger Symphony No. 2 in D ​

Concert Notes

Peggy Glanville-Hicks Prelude for a Pensive Pupil ​

Concert Notes

Dinu Lipatti Concertino in the Classical Style, Op. 3​

Concert Notes

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

Brief remarks by Joshua DePoint bass

Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere

20 min

Brief remarks by Batmyagmar Erdenebat viola

Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min

Intermission
20 min

Brief remarks by Anita Tóth trumpet

Aaron Copland Symphony No. 3
42 min

The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony

32 min

Intermission

20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad

70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony

32 min

Intermission

20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad

70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Copland Symphony No. 3

The Bard Music Festival

The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.

The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel FauréLouis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude DebussyOlivier MessiaenFrancis PoulencMaurice RavelErik Satie and expats George GershwinCole Porter and Igor Stravinsky; her male students, including Jean FrançaixAstor Piazzolla, and illustrious Americans Marc BlitzsteinElliott CarterAaron CoplandPhilip GlassWalter Piston and Virgil Thomson; her female students, like Marcelle de ManziarlyThea MusgraveJulia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like MonteverdiBach and Brahms.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony

32 min

Intermission

20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad

70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William L. Dawson Negro Folk Symphony

Shostakovich Symphony No. 7, Leningrad

William L. Dawson photo via Tuskegee University Archives

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony

32 min

Intermission

20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad

70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William L. Dawson Negro Folk Symphony

Shostakovich Symphony No. 7, Leningrad

William L. Dawson photo via Tuskegee University Archives

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony

32 min

Intermission

20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad

70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William L. Dawson Negro Folk Symphony

Shostakovich Symphony No. 7, Leningrad

William L. Dawson photo via Tuskegee University Archives

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony

32 min

Intermission

20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad

70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William L. Dawson Negro Folk Symphony

Shostakovich Symphony No. 7, Leningrad

William L. Dawson photo via Tuskegee University Archives

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min

Intermission
20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad

70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William L. Dawson Negro Folk Symphony

Shostakovich Symphony No. 7, Leningrad

William L. Dawson photo via Tuskegee University Archives

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min

Intermission
20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad

70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William L. Dawson Negro Folk Symphony

Shostakovich Symphony No. 7, Leningrad

William L. Dawson photo via Tuskegee University Archives

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min

Intermission
20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William L. Dawson Negro Folk Symphony

Shostakovich Symphony No. 7, Leningrad

William L. Dawson photo via Tuskegee University Archives

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min

Intermission
20 min

Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William L. Dawson Negro Folk Symphony

Shostakovich Symphony No. 7, Leningrad

William L. Dawson photo via Tuskegee University Archives

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

William Grant Still Dismal Swamp
Frank Corliss piano
14 min

Brief remarks by a TŌN musician

Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min

Intermission
20 min

Brief remarks by a TŌN musician

Witold Lutosławski Symphonic Variations
9 min

Brief remarks by a TŌN musician

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William Grant Still Dismal Swamp

Carlos Chávez Piano Concerto

Witold Lutosławski Symphonic Variations

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem

Photo by David DeNee

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

William Grant Still Dismal Swamp
Frank Corliss piano
14 min

Brief remarks by a TŌN musician

Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min

Intermission
20 min

Brief remarks by a TŌN musician

Witold Lutosławski Symphonic Variations
9 min

Brief remarks by a TŌN musician

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William Grant Still Dismal Swamp

Carlos Chávez Piano Concerto

Witold Lutosławski Symphonic Variations

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem

Photo by David DeNee

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

William Grant Still Dismal Swamp
Frank Corliss piano
14 min

Brief remarks by a TŌN musician

Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min

Intermission
20 min

Brief remarks by a TŌN musician

Witold Lutosławski Symphonic Variations
9 min

Brief remarks by a TŌN musician

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William Grant Still Dismal Swamp

Carlos Chávez Piano Concerto

Witold Lutosławski Symphonic Variations

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem

Photo: Carlos Chávez

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

William Grant Still Dismal Swamp
Frank Corliss piano
14 min

Brief remarks by a TŌN musician

Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min

Intermission
20 min

Brief remarks by a TŌN musician

Witold Lutosławski Symphonic Variations
9 min

Brief remarks by a TŌN musician

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William Grant Still Dismal Swamp

Carlos Chávez Piano Concerto

Witold Lutosławski Symphonic Variations

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem

Photo: Carlos Chávez

 

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

William Grant Still Dismal Swamp
Frank Corliss piano
14 min

Brief remarks by a TŌN musician

Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min

Intermission
20 min

Brief remarks by a TŌN musician

Witold Lutosławski Symphonic Variations
9 min

Brief remarks by a TŌN musician

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William Grant Still Dismal Swamp

Carlos Chávez Piano Concerto

Witold Lutosławski Symphonic Variations

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem

Photo: Carlos Chávez

 

Program

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

William Grant Still Dismal Swamp
Frank Corliss piano
14 min

Brief remarks by a TŌN musician

Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min

Intermission
20 min

Brief remarks by a TŌN musician

Witold Lutosławski Symphonic Variations
9 min

Brief remarks by a TŌN musician

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min

All timings are approximate. Program and artists subject to change.

Sample the Music

William Grant Still Dismal Swamp

Carlos Chávez Piano Concerto

Witold Lutosławski Symphonic Variations

Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem

Photo: Carlos Chávez

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

George Walker Lilacs
Samantha Martin VAP ’22 soprano
14 min

Brief remarks by a TŌN musician

Joan Tower Concerto for flute
Andrea Ábel ’23 flute
15 min

Intermission
20 min

Brief remarks by a TŌN musician

Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min
Intermission
20 min
Brief remarks by a TŌN musician
Gustav Mahler Symphony No. 5
70 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician
Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min
Brief remarks by a TŌN musician
Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

George Walker Lilacs

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Joan Tower Concerto for Flute

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Gustav Mahler Symphony No. 5

Photo: Joan Tower by Bernie Mindich

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 2 hours and 20 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Weber Der Freischütz Overture
10 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Beethoven Missa solemnis
81 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Beethoven Missa solemnis
81 min

Brief remarks by a TŌN musician

Adolf von Henselt Piano Concerto
Evren Ozel piano
31 min

Intermission
20 min

Brief remarks by a TŌN musician

Berlioz Symphonie fantastique
53 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Weber Der Freischütz Overture

Adolf von Henselt Piano Concerto

Berlioz Symphonie fantastique

Photo: The Orchestra Now by Matt Dine

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Beethoven Missa solemnis
81 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Beethoven Missa solemnis

Photo: The Orchestra Now by Trans-Siberian Art Festival

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Beethoven Missa solemnis
81 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Beethoven Missa solemnis

Photo: The Orchestra Now by Trans-Siberian Art Festival

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Beethoven Missa solemnis
81 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Beethoven Missa solemnis

Photo: The Orchestra Now by Trans-Siberian Art Festival

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Beethoven Missa solemnis
81 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Beethoven Missa solemnis

Photo: The Orchestra Now by Trans-Siberian Art Festival

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Beethoven Missa solemnis
81 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Beethoven Missa solemnis

Photo: The Orchestra Now by Trans-Siberian Art Festival

Concert Details

The concert will last approximately 1 hour and 35 minutes.

Brief remarks by a TŌN musician

Beethoven Missa solemnis
81 min

All timings are approximate. Program and artists subject to change.

Sample the Music

Beethoven Missa solemnis

Photo: The Orchestra Now by Trans-Siberian Art Festival

Concert Details

The concert will last approximately 2 hours and 30 minutes.
Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Ralph Vaughan Williams Three Portraits from The England of Elizabeth
16 min

Q&A with the audience
All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.
Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Ralph Vaughan Williams Three Portraits from The England of Elizabeth
16 min

Q&A with the audience
All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.
Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Ralph Vaughan Williams Three Portraits from The England of Elizabeth
16 min

Q&A with the audience
All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.
Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Ralph Vaughan Williams Three Portraits from The England of Elizabeth
16 min

Q&A with the audience
All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.
Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Ralph Vaughan Williams Three Portraits from The England of Elizabeth
16 min

Q&A with the audience
All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.
Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Ralph Vaughan Williams Three Portraits from The England of Elizabeth
16 min

Q&A with the audience
All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Ralph Vaughan Williams Three Portraits from The England of Elizabeth
16 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Ralph Vaughan Williams Three Portraits from The England of Elizabeth
16 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.
Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience
All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.
Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience
All timings are approximate. Program and artists subject to change.

Sample the Music

Vaughan Williams Three Portraits from The England of Elizabeth

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Haydn Symphony No. 38, Prague

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Haydn Symphony No. 38, Prague

Image: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena.

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Haydn Symphony No. 38, Prague

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Haydn Symphony No. 38, Prague

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Haydn Symphony No. 38, Prague

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Franz Joseph Haydn Symphony No. 38, Prague
18 min

Johannes Brahms Variations on a Theme of Haydn
18 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Haydn Symphony No. 38, Prague

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Haydn Symphony No. 38, Prague

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Haydn Symphony No. 38, Prague

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Brahms Variations on a Theme of Haydn

Image: Vinzenz Brinkmann and Ulrike Koch-Brinkmann, Reconstruction of marble finial in the form of a sphinx (detail), 2022. 3D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin. Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, ca. 530 B.C. The Metropolitan Museum of Art, New York (11.185d, x)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

>Read the concert program

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)

Concert Details

The concert will last approximately 2 hours and 30 minutes.

>Read the concert program

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

https://www.youtube.com/watch?v=b2KVqyQdOHs

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)


Concert Details

The concert will last approximately 2 hours and 30 minutes.

>Read the concert program

Discussion, on-screen artworks, and musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains
33 min

Q&A with the audience

All timings are approximate. Program and artists subject to change.

Sample the Music

Niels Gade Symphony No. 1, On Sjøland’s Fair Plains

Image: Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen). View from the Citadel Ramparts in Copenhagen by Moonlight (detail), 1839. Oil on canvas, 11 3/8 x 9 5/8 in. (28.9 x 24.4 cm). The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2007 (2007.164.7)