
Program & Artists
Wagner Selections from Parsifal:
Act I Prelude
Act III Prelude
Good Friday Music
Act III Ending
Artwork from the exhibition Siena: The Rise of Painting, 1300–1350
Leon Botstein conductor
Tickets
- From $35 ($30 + $5 fee)
3-Concert series Up to 20% off the full price
Part of TŌN’s Sight & Sound series
In the popular series Sight & Sound, The Orchestra Now explores the parallels between orchestral music and the visual arts. Each performance includes a discussion with conductor and music historian Leon Botstein accompanied by on-screen exhibition images and live musical excerpts, then a full performance of the works and an audience Q&A.
At the dawn of the Italian Renaissance, Siena was the site of phenomenal artistic innovation and activity. Sienese artists—including Duccio, Pietro and Ambrogio Lorenzetti, and Simone Martini—played a pivotal role in defining Western painting. Over 500 years later, Richard Wagner revolutionized opera composition in much the same way. Twelve years after he read Wolfram von Eschenbach’s Parzival, a poem from just 100 years before Siena’s painting revolution, he began working on a libretto inspired by this tale of the quest for the Holy Grail. This eventually became his final composition, the opera Parsifal.
The exhibition Siena: The Rise of Painting, 1300–1350 will be on view at The Met Fifth Avenue October 13, 2024–January 26, 2025 in gallery 199.
Concert Details
Discussion, on-screen exhibition images, and live musical excerpts
Leon Botstein and The Orchestra Now
Intermission
20 min
Richard Wagner Selections from Parsifal
Act I Prelude
13 min
Listen
Act III Prelude
6 min
Listen
Good Friday Music
11 min
Listen
Act III Ending
6 min
Q&A with the audience
All timings are approximate.
Sample the Music
Wagner Parsifal Act I Prelude
Wagner Parsifal Act III Prelude
Wagner Parsifal Good Friday Music
Image: Simone Martini, Madonna and Child (detail), ca. 1326. Tempera on wood, gold ground. The Metropolitan Museum of Art, Robert Lehman Collection, 1975 (1975.1.12)
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