Siena, Wagner & “Parsifal”

Program & Artists

Wagner Selections from Parsifal:
Act I Prelude
Act III Prelude
Good Friday Music
Act III Ending
Artwork from the exhibition Siena: The Rise of Painting, 1300–1350

Leon Botstein conductor

Tickets

3-Concert series Up to 20% off the full price

Part of TŌN’s Sight & Sound series

In the popular series Sight & Sound, The Orchestra Now explores the parallels between orchestral music and the visual arts. Each performance includes a discussion with conductor and music historian Leon Botstein accompanied by on-screen exhibition images and live musical excerpts, then a full performance of the works and an audience Q&A.

At the dawn of the Italian Renaissance, Siena was the site of phenomenal artistic innovation and activity. Sienese artists—including Duccio, Pietro and Ambrogio Lorenzetti, and Simone Martini—played a pivotal role in defining Western painting. Over 500 years later, Richard Wagner revolutionized opera composition in much the same way. Twelve years after he read Wolfram von Eschenbach’s Parzival, a poem from just 100 years before Siena’s painting revolution, he began working on a libretto inspired by this tale of the quest for the Holy Grail. This eventually became his final composition, the opera Parsifal.

The exhibition Siena: The Rise of Painting, 1300–1350 will be on view at The Met Fifth Avenue October 13, 2024–January 26, 2025 in gallery 199.

Concert Details

>Read the concert program

Discussion, on-screen exhibition images, and live musical excerpts
Leon Botstein and The Orchestra Now

Intermission
20 min

Richard Wagner Selections from Parsifal
Act I Prelude
13 min
Listen

Act III Prelude
6 min
Listen

Good Friday Music
11 min
Listen

Act III Ending
6 min

Q&A with the audience

All timings are approximate.

Sample the Music

Wagner Parsifal Act I Prelude

Wagner Parsifal Act III Prelude

Wagner Parsifal Good Friday Music

Image: Simone Martini (Italian, Siena, active by 1315–died 1344 Avignon), Madonna and Child (detail), ca. 1326. Tempera on wood, gold ground, Overall 23 1/8 x 15 1/2 in. (58.7 x 39.4 cm); painted surface 22 1/2 x 15 1/8 in. (57.2 x 38.4 cm). The Metropolitan Museum of Art, Robert Lehman Collection, 1975 (1975.1.12)

No Comments

Sorry, the comment form is closed at this time.