Appearances
Bogotá Philharmonic Women’s Orchestra, 2022–25; Los Andes University Symphony Orchestra, Bogotá, 2019–23; Bogotá Philharmonic Youth Orchestra, 2014–18
What is your earliest memory of classical music?
When I chose the double bass as my instrument, I was 10 years old and was going to start studying at the conservatory in Ibagué. There was a day when they showed us the instruments of the symphony orchestra.
Was there a teacher who was particularly impactful/helpful? What made this instructor stand out?
Yes, David Arenas. He was the last teacher I studied with in Bogotá. For me, it was very helpful every time he listened to me and gave me advice. I was also impressed by how generous he was with his knowledge and with everything related to the double bass.
What made you decide to become a musician? Was there a particular performance or person that influenced your decision?
The music high school where I studied had a big influence on me becoming a musician. At first, it was a little difficult because the double bass is a big instrument, and that comes with some challenges. But once I realized that I could work hard, practice, and play better, I did not hesitate to stay and continue on the path of music.
How did you hear about TŌN? What inspired you to apply?
I heard about TŌN from a friend from Colombia who came here to study. I was inspired to apply because of the program’s focus on orchestral training. I have been playing in a symphony orchestra since I was a child, so I saw it as a great opportunity to keep learning and collaborating in an international academic environment.
How would you like to see orchestra concerts evolve in the future?
I think it is important to make the line between the audience and the orchestra less clear. It would be great to find ways to remind everyone that we are all gathered in the same place because of music, without making the experience feel too formal or rigid.
What is your proudest achievement as a musician?
Being at TŌN is an important achievement for me. This is my first time studying abroad, and I am proud and excited to have this experience in my career as a musician.
Is there a person or people you most respect in your field and why?
I think I respect all double bass players for their courage in accepting the challenges that come with playing such a big instrument. It takes a lot of love and commitment, and that makes me admire them and all of us who play the double bass.
Do you have a favorite non-classical musician or band?
Yes, I really like salsa music, so there are several salsa musicians and orchestras that I admire and enjoy.
If you weren’t a musician, what would you be doing?
I never really thought about doing anything other than music. But I would say that I really like photography too. I find a lot of beauty in capturing moments that inspire people and show different situations and emotions.
What is the biggest challenge and/or surprise about playing in an orchestra?
Playing in an orchestra is a great opportunity to create music collectively. That is why it is important to move beyond the individual and develop a quick way of reacting and connecting with others through sound and the different qualities each person can bring to the music we are performing.
What advice would you give your younger self or anyone starting out?
Always trust in the generosity of music, and embrace your own experiences without letting what others have gone through stop you.