TŌN + All-City High School Orchestra
Sun 12/21/25 at 3 pm
Performance #319 Season 11, Concert 12
Julia Richman Education Complex
Leonardo Pineda conductor
The concert will last approximately 1 hour and 40 minutes.
PLEASE KEEP PHONE SCREENS DIM Silence all electronic devices
PHOTOS AND VIDEOS ARE ENCOURAGED but only before and after the music
The Program
MANUEL DE FALLA The Three-Cornered Hat, Suite No. 2
The Neighbors’ Dance
The Miller’s Dance
Final Dance
ARTURO MÁRQUEZ Concierto de Otoño (Autumn Concerto)
Son de luz
Balada de floripondios
Conga de Flores
Pacho Flores trumpet, cornet, and flugelhorn
Intermission
GEORGES BIZET Selections from the Carmen Suites
Prélude and Aragonaise
Habanera
Chanson du Toréador (Song of the Toreador)
Danse Bohême (Bohemian Dance)
with the All-City High School Orchestra
David West principal director
NIKOLAI RIMSKY-KORSAKOV Capriccio espagnol
Morning Song
Variations
Morning Song
Scene and Gypsy Song
Asturian Fandango
with the All-City High School Orchestra
David West principal director
The Music
Falla’s The Three-Cornered Hat, Suite No. 2
Notes by TŌN bassist Shion Kim
Read Notes
TK
Arturo Márquez’s Concierto de Otoño (Autumn Concerto)
Notes by TŌN violist Lily Li
Read Notes
TK
Selections from Bizet’s Carmen Suites
Notes by TŌN bassist Jack Corcoran
Read Notes
TK
Rimsky-Korsakov’s Capriccio espagnol
Notes by TŌN violinist Hanyu Feng
Read Notes
TK
The Artists
LEONARDO PINEDA conductor
Leonardo Pineda stands at the forefront of a new generation of conductor-curators redefining the classical music experience. Recently named music director of The Orchestra San Antonio (TOSA) starting in October 2025—a resident company at the Tobin Center—his appointment followed a series of exceptional guest appearances, where his leadership inspired prolonged standing ovations and unanimous praise.
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Mr. Pineda’s official debut at the Tobin Center’s H-E-B Hall featured internationally renowned trumpeter Pacho Flores. The performance concluded with a three-minute standing ovation and four curtain calls. Voice of San Antonio praised the evening: “At the helm was conductor Leonardo Pineda. His dynamic and expressive leadership elicited an extraordinary level of nuance and musicality from the ensemble. You could feel the deep connection between the conductor and musicians, and the sense that this was just the beginning of something special.”
As a teaching artist, Mr. Pineda is deeply committed to creating meaningful entry points into classical music. His work centers on innovation in the concert experience, crafting programs and environments that invite new audiences and foster deep engagement. Eric Booth, known as the father of the teaching artist movement, writes: “Leonardo’s most important contribution is the way he redefines the role of the music director as a modern cultural leader—someone who captivates audiences through both artistry and education. He is part of a new generation of conductors who do not see performance and engagement as separate pursuits. In Leonardo’s vision, they are interwoven—and that is what makes him so essential to the future of classical music.”
Mr. Pineda is on the faculty at Bard College, where he continues his role as a guest conductor for TŌN’s educational partnerships, leading collaborations with the All-City Orchestra, Filarmónica Joven de Colombia, and the Classical Music Institute. In 2025, he made his sold-out Carnegie Hall debut with Ensemble Connect, conducting a world premiere by Carolina Noguera for a program curated by Gabriela Ortiz. He was selected from 250 international applicants for the Carlos Prieto Conducting Fellowship, where he received the Distinction Prize.
Mr. Pineda’s expressive clarity and structural command have earned high praise from composers such as Miguel del Águila and Juan Pablo Contreras. Del Águila noted, “He conducted Conga Line in Hell as if he had composed it himself,” while Contreras praised his “impressive control through complex tempo changes in Mariachitlán.”
Mr. Pineda remains committed to collaborative leadership and artistic curiosity, shaping his work with purpose, openness, and a deep respect for the traditions and communities that inspire it.
Mr. Pineda is represented globally by pura musica.
DAVID WEST principal director, All-City High School Orchestra
David West is a versatile and accomplished cellist, educator, and founder of numerous influential music initiatives in New York City. He has served as the director of orchestras and chamber music at Celia Cruz High School of Music since 2005, where he has inspired and mentored countless young musicians, fostering a deep appreciation for classical music while encouraging creative expression. Since 2022 he has been the principal director of the All-City Orchestra, a group that brings together the best musicians from all NYC Department of Education high schools.
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A passionate advocate for chamber music, Mr. West was the founder and cellist of the New York Chamber Collective from 2018 to 2022. This ensemble focused on creating intimate, themed concerts that brought classical music into the heart of New York’s diverse neighborhoods. From 2013 to 2019, he was also a founding member of the Lehman String Quartet, performing across New York City within the city’s vibrant chamber music scene.
Mr. West’s performances have spanned a wide range of venues, from the prestigious Carnegie Hall and Symphony Space to the eclectic Mercury Lounge and The Stone. In addition to his extensive solo and chamber music engagements, He regularly performs with the Park Avenue Chamber Symphony and collaborates with various orchestras and chamber groups across the city.
Mr. West completed his master of arts degree in cello performance at CUNY Queens College in 2010, studying under the renowned cellist Marcy Rosen. His academic training, combined with his extensive performance experience, has made him a sought-after performer, guest conductor, clinician, and educator.
With a deep belief in the transformative power of music, he is dedicated to exploring how music can touch people in uniquely personal ways, both through his performances and his teaching.
ARTURO MÁRQUEZ composer
Arturo Márquez was born deep in the Sonoran desert in the colonial town of Alamos, Mexico on December 20, 1950. His mother, Aurora Navarro, says “her womb cried” when describing his birth. He was named after his father, Arturo Márquez, who was of Mexican descent from Arizona. A man of many talents, Arturo’s father played the violin, was a mariachi, and worked as a carpenter when the family needed to make ends meet. Arturo’s father often played with a quartet, so the future composer’s first music lessons consisted of listening to the traditional music, waltzes, and polkas they performed.
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The Márquez family moved to Los Angeles, California in 1962 where Arturo began to study violin and several other instruments at his junior high school. He also began to compose. Márquez said, “My adolescence was spent listening to Javier Solis, sounds of mariachi, the Beatles, Doors, Carlos Santana and Chopin.”
Márquez he entered the Mexican Music Conservatory in 1970 where he studied with Joaquin Gutierrez Heras and Federico Ibarra. Later he received a scholarship from the French government to study composition with Jacques Casterede in Paris. After studying in France, Márquez received a prestigious Fulbright Scholarship in the US, which he used to obtain an MFA degree from the California Institute of the Arts.
Until the early 1990s Márquez’ music was largely unknown outside his native country. That changed when he was introduced to the world of Latin ballroom dancing. The movement and rhythms led him to compose a series of pulsating Danzones. The Danzones are a fusion of dance music from Cuba and the Veracruz region of Mexico. The most popular of the Danzonesis the Danzón No. 2. It thrills audiences with its entrancing, seductive rhythms. The Danzón No. 2 was commissioned by the National Autonomous University of Mexico (UNAM), and because of its popularity, it is often called the second national anthem of Mexico.
Arturo Márquez works at the National University of Mexico, Superior School of Music and the National Center of Research, Documentation and Information of Mexican Music. He and his family live in Mexico City.
THE ORCHESTRA NOW (TŌN)
Founded in 2015 by Bard College, TŌN is a graduate program that is training the next generation of music professionals to become creative ambassadors of classical music. Led by conductor and educator Leon Botstein, TŌN offers accomplished young musicians a full-tuition fellowship toward a master’s degree in curatorial, critical, and performance studies or an advanced certificate in orchestra studies. TŌN’s innovative curriculum combines rehearsal, performance, recording, and touring with seminars, masterclasses, professional development workshops, teaching, and more. The members of the orchestra are graduates of the world’s leading conservatories, and hail from countries across North and South America, Europe, and Asia. Many have gone on to have careers in the Philadelphia, San Francisco, Boston, Vancouver, and National symphony orchestras; Orquesta Sinfónica Nacional de Colombia; the United States military bands; and many others.
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TŌN performs dozens of concerts a year at venues including Carnegie Hall, Lincoln Center, The Metropolitan Museum of Art, and the Fisher Center at Bard. Specializing in both familiar and rarely heard repertoire, the orchestra has given numerous New York, U.S., and world premieres, and has performed the work of living composers, including Joan Tower, Jessie Montgomery, Jonny Greenwood, and Tania León. In May 2025, TŌN performed two concerts in Koblenz and Nuremberg, Germany marking 80 years since the surrender of Nazi Germany. In 2023, TŌN appeared with Bradley Cooper in the Academy Award-nominated film Maestro, and was featured on the Grammy-winning Deutsche Grammophon soundtrack, conducted by Yannick Nézet-Séguin. The orchestra has performed with many other distinguished guest conductors and soloists, including Leonard Slatkin, Gil Shaham, Neeme Järvi, Stephanie Blythe, Fabio Luisi, Vadim Repin, Joseph Young, Peter Serkin, Naomi Woo, Peter Moore, Tan Dun, and JoAnn Falletta.
TŌN has released several albums on the Hyperion, Sorel Classics, and AVIE labels. Fall 2025 releases include Premieres with violinist Gil Shaham and Transcription as Translation. Other highlights include 2024’s The Lost Generation and Exodus, and rare recordings of Othmar Schoeck’s Lebendig begraben and Bristow’s ArcadianSymphony. Recordings of TŌN’s live concerts from the Fisher Center can be heard regularly on Classical WMHT-FM and WWFM The Classical Network, and the orchestra has appeared over 100 times on Performance Today, broadcast nationwide.
Visit ton.bard.edu to find out more about TŌN’s academic program, concerts, musicians, albums, and broadcasts; sign up for the email list; and support the orchestra with a donation.
Leon Botstein Music Director
* indicates a member of the All-City High School Orchestra
Violin I
Chance McDermott Concertmaster
Anthony Reyes*
Luca Sakon
Lio Hartman*
Ai Qian Fun*
Lap Yin Lee
Yuchen Zhao
Asher Hartman*
Lili Thivet*
Marian Antonette V. Mayuga
Mingyue Xia
Emily Gonzalez*
Piet Shettle*
Angeles Hoyos TŌN ’25
Katherine Chernyak ’24
Estherika Cokro*
Moon Lin*
Toby Winarto
Maya Lorenzen
Yuanming Zhao*
Violin II
Heather Lambert Principal (Falla, Márquez, Bizet)
Haley Maurer Gillia Principal (Rimsky-Korsakov)
Chris Harach*
Max Brosnick*
Vera Auyeung*
Yuxuan Feng
Shan (Serena) Bai
Jinason Vasquez*
Keitaro Ichikawa*
Amaiyah Grant*
Eliana Molina*
Adriel Salazar*
Henry Torralba*
Anthony Monoyios
Louisa Brill*
Samantha Lin*
Peyton Cook
Kai Yang Fun*
Yaewon Choi not performing in this concert
Hanyu Feng not performing in this concert
Carlos Torres not performing in this concert
Viola
Enoch Ng Principal
Audrianna Mei*
Casey Lebkicker
Josephine Blecker*
Felisa Reyes*
Chia-Mei (Lily) Li
Flavia Pájaro-van de Stadt
Sofia Cardenas*
Santiago Delgado Valdez*
Carla Mendoza Trejo
Yuxuan Zhang
Tania Ladino Ramirez not performing in this concert
Cello
Dariimaa Batsaikhan Principal
Charlie Lopez*
Millan Bisegna*
Hannah Brown
Kenneth Garcia*
Nohyoon Kwak
Shawn Thoma
Alexander Smith*
Christopher Smith*
Kate Hwang
Charlotte Rivain Sauvage*
William Chen*
Elvira Hoyos Malagon not performing in this concert
Christiaan Stefanus Van Zyl not performing in this concert
Alfred Western not performing in this concert
Bass
Zacherie Small Principal
Austin Wiafe*
Yaniv Muldganov*
Jud Mitchell
Jack Corcoran
Shawn Farberov*
Leah Resiner*
Shion Kim
Aaron Meives*
Holdan Arbey Silva Acosta not performing in this concert
Flute
Wen-Hsiu (Angela) Lai Principal (Falla, Márquez)
Olivia Chaikin Principal (Bizet, Rimsky-Korsakov), Piccolo (Falla)
Grace Chen*
Kaiden Lee* Piccolo (Bizet)
Youbeen Cho Piccolo (Rimsky-Korsakov)
Oboe
David Zoschnick Principal (Falla, Márquez)
Nathalie Graciela Vela Principal (Bizet, Rimsky-Korsakov), English Horn (Falla)
Quinton Bodnár-Smith
Daniella Tobias*
Clarinet
Zachary Gassenheimer Principal (Falla, Márquez)
Craig Swink Principal (Bizet, Rimsky-Korsakov)
Michelle Kagan*
Dávid Kéringer
Christine Garone*
Bassoon
Shelby Capozzoli Principal (Falla, Márquez)
Kylie Bartlett Principal (Bizet, Rimsky-Korsakov)
Crismel Matos Nuñez*
Peter Houdalis
Maddox Stacey-Garcia*
Jake Oztan*
Horn
Felix Johnson Principal (Falla, Márquez), Assistant (Bizet, Rimsky-Korsakov)
Daniel Itzkowitz Principal (Bizet, Rimsky-Korsakov), Assistant (Falla, Márquez)
Jesus Perez*
Lee Cyphers
Natalie Guan*
Jaxson Padgett
Ezekiel Shivers*
Jack Sindall
Andrey Bondarchuk*
Trumpet
Jid-anan Netthai Principal
Rei Goto* Assistant
Gavin Ard
Eric Goldberg*
Wyatt Marc*
Giulia Rath not performing in this concert
Trombone
Yuki Mori Principal (Falla, Márquez)
Zachary Johnson Principal (Bizet, Rimsky-Korsakov)
Sebastian Arciszewski*
Jamie Avery*
Ryan Lin*
Charlie Hall Bass Trombone
Michael Mulligan*
Tuba
Tyler Woodbury Principal
Otoniel Gallardo*
Timpani
Pei Hsien (Ariel) Lu Principal
Zachary Stein*
Percussion
Philip Drembus
Nick Goodson
Cooper Martell
Julian Rowe*
Alice Tonelli*
Harp
Zibin Zhou Principal
Abigail Weiss*
Keyboard
Francis Chung-Yang Huang
Support TŌN
We’ve brought music to more than 100,000 live & virtual concertgoers in over 300 concerts thanks to support from donors like you!
The TŌN Fund
Members of The Orchestra Now are completing an innovative graduate degree program. TŌN offers students the experiences they might expect as career orchestral musicians—including public performance, touring, and recording. TŌN is tuition free, and each student receives a yearly fellowship stipend. Individual contributions from music lovers like you are essential to TŌN’s success.
To donate, visit ton.bard.edu/support or call 845.758.7988.
SEEDING THE FUTURE: NAMING OPPORTUNITIES
You can play a defining role in TŌN’s success with a commitment towards one of the following categories.
TŌN Fellowship Fund
Direct your support to have a lasting impact on the education and training of TŌN’s exceptional young players from around the world with a gift at one of the following levels:
–One-year Fellowship Stipend: $25,000
–Two-Year Certificate Fellowship: $50,000
–Three-Year Master’s Fellowship: $75,000
TŌN Recording Fund
Each season TŌN musicians experience the recording process. TŌN has released several albums on the Hyperion, Sorel Classics, and AVIE labels. Designate your contribution in support of the orchestra’s growing catalogue of rediscovered works with a gift of $50,000+.
TŌN Instrument Fund
TŌN owns and maintains all of its percussion, timpani, and several auxiliary instruments. Hear your support from the stage with a gift of $10,000+.
There’s simply no other music degree program like TŌN. Help us to inspire greatness by making a contribution today.
Donors at the $2,500 Allegro level and above can be commemorated by having a seat named for them in the Fisher Center at Bard’s magnificent Sosnoff Theater.
For detailed information on naming opportunities and the many ways to give, please contact Director of Development Nicole M. de Jesús at 845.758.7988 or [email protected].
TŌN Donors Inspire Greatness
TŌN gratefully acknowledges the generosity of each and every donor who makes our work possible. We hope you share our pride in the TŌN alumni/ae: to date, our musicians have earned positions in over 90 orchestras and ensembles across the U.S., Europe, and Asia; are seated in four U.S. military bands; and are working as educators or administrators at 53 music and educational institutions across the country.
Ticket sales cover less than a quarter of the expenses for our concerts and educational initiatives. Your contributions enable TŌN to flourish, and with your sustained support, we can continue this unique educational program for classical musicians on the cusp of professional careers. Thank you for making an important investment in the future of classical music.
Leadership Gifts
Estate of Clyde Talmadge Gatlin
Rockefeller Brothers Fund
Felicitas S. Thorne
The Yvonne Nadaud Mai Concertmaster Chair
Made possible by The Mai Family Foundation
Fellowship Support
The Ponsold-Motherwell Charitable Trust, in memory of Renate Ponsold and Robert Motherwell
Concertmaster’s Circle
Joseph J. Baxer and Barbara Bacewicz
E&V ProArte Fund
Karl Moschner and Hannelore Wilfert
Michael L. Privitera
Emily Sachar
Conductor’s Box
Michael E. Dorf and Sarah Connors
Irene and Tom Esposito
Kassell Family Foundation of the Jewish Communal Fund
The Merrill G. and Emita E. Hastings Foundation
Allegro
Helen V. Atlas
Randy C. Faerber ’73
Mildred Feinsilber
Gary M. Giardina
Bernard and Lisa S. King-Smith
The Masurovsky Family Gifting Fund
Christine T. Munson
Vivace
Jamie Albright and Steve Hart
Jane and Arthur Lane
Northwestern Mutual Foundation
Joseph and Barbara Schoenberg
Arlene and Gilbert Seligman
Marc A. and Dana Lim vanderHeyden
Forte
Sal Capolarello and George Wen
Curtis DeVito and Dennis Wedlick
Dr. Sanford Friedman and Virginia Howsam
Susan and Roger Kennedy
Robert Kurilla and Greg Paxton
Edna and Gary Lachmund
Alison L. Lankenau
Judi Powers
Sara T. Rabbino
Richard and Enid Rizzo
Jen Shykula ‘96 and Tom Ochs
Denise S. Simon and Paulo Vieiradacunha
Tryon Family Foundation
Trumpeter
William Bell
Michelle Clayman
John Cubba and John Cirincion
Elizabeth Ely ’65
Peter and David Eng-Chernack
Maia Farish, in memory of Don Farish
Mark L. Feinsod ‘94
Michel Goldberg and Frances Spark
Jan M. Guifarro
Scott Huang
Hudson Valley Chamber Music Circle
Innovation4Media
Laurie and Michael Pollock Fund of Fidelity Charitable
Laurie Lauterbach
Tyler Lory, in memory of Michael Rauschenberg
Martha V. Lyon
Maury Newburger Foundation
Walter Mullin and Julian Kaplin
Arthur Reynolds
Bruce and Blanche Rubin
Dan Schwartzman and Julie Nives, in memory of Irwin Schwartzman and Ernest Nives
Alice Stroup, in memory of Timothy Stroup
Kornelia Tamm
David and Marcia Welles
Crescendo
Naja Armstrong
Arleen Auerbach
Robert and Cyndi Bear
Diane and Ronald Blum
Dora Jeanette Canaday, in honor of Tania Ladino Ramírez TŌN ‘26
Marc and Margaret Cohen, in honor of Colby Bond TŌN ’25
Nicole M. de Jesús ’94 and Brian P. Walker
Phyllis and Joe DiBianco
Hildegard F. Edling ’78 and Richard Edling
William Harrison
Brian J. Heck
Annette and Thomas Hofmann
Hospitality Committee for United Nations Delegations
Elena R. and Fred Howard
Erica Kiesewetter
Robert K. Montgomery
Ken and Lindsay Morgan
Helmut Norpoth
Michael J. Piecuch
Denise T. Pitcher
Susan Seidel
Anne-Katrin Spiess
Judith R. Thoyer
Gene L. Vidal
Gladys M. and Herman Whitfield Jr., in memory of Herman Whitfield III
TŌNor
Stephanie and Richard Bassler
Sol Bergelson
Stephanie G. Beroes
Marvin F. Bielawski
Marge and Edward Blaine
Richard Brand
Geri Brodsky
Diane Cunningham
Milad Daniari TŌN ’18
Thomas J. DeStefano
Vincent M. Dicks
Craig Diehl and Michael Koelsch
Janet Feldman
Renate L. Friedrichsen
Jeffrey E. Glen and Rosita Abramson
Tamara J. Gruszko
Nathan A. Hamm
Lee Haring
Michaela Harnick
William J. Harper
Jack Homer and Emily Hartzog
Arthur and Jane Lane
Phyllis Marsteller
Katharine McLoughlin
Warren R. Mikulka
Barry Nalebuff and Helen Kauder
Andrea and James Nelkin
Ross and Marianne Parrino
Michael P. Pillot
Kelly A. Preyer and James Blakney
Kurt and Lorenzo Rausch
Gerald E. and Gloria E. Scorse
Theodore J. Smith
John and Lois Staugaitis
Daniel J. Thornton
Éric Trudel
Amparo Vollert
Susan L. Waysdorf and Mary K. O’Melveney
Hugh Young
Irene Zedlacher
Drs. Julie and Sandy Zito
Downbeat
Catherine Baiardi
Jinhi Baron
Katherine B. Berry
Roberta Brangam
Marie-Louise Brauch
Kent Alan Brown
Anusheh and Paul Byrne
Marsha S. Clark
Joan S. Cohen
David and Joan Covintree
Elizabeth Davis
Laura Fortenbaugh
Teresa Genin
Helena and Christopher H. Gibbs
Susan Goodstadt-Levin
Peter C. Goss
Nancy S. Hemmes
Suzanne Johnson
Robert V. Kamp
Minsun Kim
Nancy Lupton
Guenther May
Jane W. Meisel
Shirley A. Mueller and Paul Tepper
Jane O’Connor
Andrew Penkalo
Karen Peters
Cathy and Fred Reinis
Pat Rogers
Rosina Romano
Martin J. Rosenblum
Lisa Sambora
Mary T. Sheerin
Anne Sunners
The Talays
Kornelia Tamm
Jie Wu and Albert Pan
Prelude
Lydia Chapin
Courtney R. Conte
Richard Desir, in memory of Pierre Desir
Lucinda DeWitt
Kimberly Floberg
Brenda Klein
Barbara Komansky
Elyse Lichtenthal
Pat Miller
H. Paul Moon
Barbara Rabin
Robert B. Renbeck
Caroline Elizabeth Ryan
Shari Siegel
Lane Steinberg
This list represents gifts made to The Orchestra Now from July 1, 2024 to November 24, 2025.
Thank you for your partnership!
The Administration
THE ORCHESTRA NOW
Artistic Staff
Leon Botstein Music Director
James Bagwell Associate Conductor and Academic Director
Jindong Cai Associate Conductor
Zachary Schwartzman Resident Conductor
Leonardo Pineda ’15 TŌN ’19 Guest Conductor for Educational Partnerships and Music Lecturer
Erica Kiesewetter Professor of Orchestral Practice
Keisuke Ikuma Director of Chamber Music
Sima Mitchell First Year Seminar Faculty
Nicolás Gómez Amín GCP ’25 Assistant Conductor
Administrative Staff
Kristin Roca Executive Director
Petra Elek Capabianca ’16 APS ’20 TŌN ’24 Orchestra Manager
Grace Anne Stage Manager and Assistant Orchestra Manager
Viktor Tóth ’16 TŌN ’21 Special Events Coordinator and Eastern/Central European Music Curator
Matt Walley TŌN ’19 Program Coordinator, Admissions and Artist Relations
Sebastian Danila Music Preparer and Researcher
Benjamin Oatmen Librarian
Shawn Hutchison TŌN ’22 Recruitment and Alumni/ae Coordinator
Marketing & Development Staff
Brian J. Heck Director of Marketing
Nicole M. de Jesús ’94 Director of Development
Pascal Nadon Public Relations
Fisher Center at Bard Orchestra Production Staff
Stephen Dean Orchestra Production Manager
Marlan Barry Head Classical Recording Engineer/Producer
Liz Cohen Orchestra Stage Manager
Nora Rubenstone-Diaz ’11 Associate Orchestra Production Manager
Ellie Wolfe-Merritt Orchestra Stage Manager
Mara Zaki ’25 Assistant Orchestra Stage Manager
BARD COLLEGE
Board of Trustees
James C. Chambers ’81 Chair
Emily H. Fisher Vice Chair
Brandon Weber ’97 Vice Chair, Alumni/ae Trustee
Elizabeth Ely ’65 Secretary; Life Trustee
Stanley A. Reichel ’65 Treasurer; Life Trustee
Fiona Angelini
Roland J. Augustine
Leon Botstein President of the College, ex officio
Mark E. Brossman
Marcelle Clements ’69 Life Trustee
Asher B. Edelman ’61 Life Trustee
Kimberly Marteau Emerson
Barbara S. Grossman ’73 Alumni/ae Trustee
Andrew S. Gundlach
Glendean Hamilton ’09
The Rt. Rev. Matthew F. Heyd
Catharine Bond Hill
Matina S. Horner ex officio
Charles S. Johnson III ’70
Mark N. Kaplan Life Trustee
George A. Kellner
Fredric S. Maxik ’86
Jo Frances Meyer ex officio
Juliet Morrison ’03
James H. Ottaway Jr. Life Trustee
Hilary Pennington
Martin Peretz Life Trustee
Stewart Resnick Life Trustee
David E. Schwab II ’52 Life Trustee
Roger N. Scotland ’93 Alumni/ae Trustee
Annabelle Selldorf
Mostafiz ShahMohammed ’97
Jonathan Slone ’84
James A. von Klemperer
Susan Weber
Senior Administration
Leon Botstein President
Coleen Murphy Alexander ’00 Vice President for Administration
Jonathan Becker Executive Vice President; Vice President for Academic Affairs; Director, Center for Civic Engagement
Erin Cannan Vice President for Civic Engagement
Deirdre d’Albertis Vice President; Dean of the College
Malia K. Du Mont ’95 Vice President for Strategy and Policy; Chief of Staff
Peter Gadsby Vice President for Institutional Research; Registrar
Max Kenner ’01 Vice President; Executive Director, Bard Prison Initiative
Debra Pemstein Vice President for Development and Alumni/ae Affairs
David Shein Vice President for Student Success and Dean of Studies; Vice President for Network Integration
Taun Toay ’05 Senior Vice President; Chief Financial Officer
Stephen Tremaine ’07 Vice President of Network Education
Daniel Vasquez ’17 Vice President of Strategic Partnerships and Institutional Initiatives
Dumaine Williams ’03 Vice President for Student Affairs; Dean of Early Colleges
THE ORCHESTRA NOW ton.bard.edu / @theorchnow
BARD COLLEGE bard.edu
© 2025 The Orchestra Now
Program and artists subject to change.