David Serkin Ludwig’s Fanfare for Samuel Barber
Notes by TŌN bassist Shion Kim
This composition by David Serkin Ludwig was written as a tribute to the composer Samuel Barber, whom he greatly respected. Both Ludwig and Barber studied at the Curtis Institute of Music, and Ludwig took pride in having attended the same school as Barber.
The Beginning and Atmosphere of the Piece
The piece begins with an almost orchestral tuning, starting with an A note from the woodwinds followed by the strings, much like a tuning session. Knowing that the composition was written in admiration of Barber, it evokes the image of a composer creating something from nothing, as if adding color to a blank white canvas. The quiet of the darkened audience and the focus on the stage make the first note feel like the beginning of a new creation, symbolizing the spark of inspiration.
As the music progresses, there is a crescendo where chromatic intervals emerge, and the strings play in an irregular yet somehow rhythmic pattern, creating a sense of growing complexity.
Musical Development
Trumpets sound, and the viola and cello are divided into four parts, continuously playing eighth notes with different ties, which results in varied rhythmic stresses. The piece develops with irregularity within regularity, as if the instruments are mimicking each other in a conversational or imitative manner. This interplay between the parts creates a rich texture and an interesting dynamic throughout the piece.
Temporal Structure and Musical Flow
At the start, each instrument seems to showcase its individual characteristics, playing separately. However, as the piece unfolds, the sounds begin to blend and harmonize, suggesting a gradual coming together of the parts. At one point, a sound reminiscent of a UFO or a mechanical noise is heard, creating a sensational moment in the music. The piece concludes with a grand finish, as the brass, strings, and percussion come together in a powerful, unified sound.
Although this composition may be short in length, it provides a sufficient amount of time for the musicians to create a close relationship between the instruments and the music itself. The six-minute piece is compelling enough to capture the attention of the audience, drawing them into its evolving textures and contrasts. It is worth listening carefully to the composer’s intentions and experiencing how well they resonate with the audience.