Appearances
Domaine Forget de Charlevoix, Québec, 2023; Topeka Symphony Orchestra, 2022–23; Heartland Chamber Music Festival, 2022; YinQi Symphony Orchestra and Chorus, Taiwan, 2014–18; Viva Viola Hsin-Yun Huang Viola Fest, Taiwan, 2017
What is your earliest memory of classical music?
My parents only let me listen to classical music since I was born, and my dad always put the classical music radio on while driving. A neighbor who used to play viola tried to sell her instrument to my family when I was just three.
Was there a teacher who was particularly impactful/helpful? What made this instructor stand out?
Scott Lee from UMKC. He inspired me a lot and taught me how to think and express myself in music.
And Grace Huang, a teacher in my undergrad, who is the principal viola of the National Symphony Orchestra in Taiwan. She trained me to become more of an individual musician.
What made you decide to become a musician? Was there a particular performance or person that influenced your decision?
I grew up in the church. I realized the power of music, that it can not only can heal souls, but also give people energy and be supportive.
How did you hear about TŌN? What inspired you to apply?
I saw a post about TŌN auditions on Musical Chairs. I want to become orchestral musician, and have tried for years. After I saw the post about TŌN, I thought I’d give myself an opportunity to get some formal training and see if I adapt in the field.
Do you have a favorite non-classical musician or band?
Charlie Parker, who is the GOAT of jazz music, and was from Kansas City. I started to listen to jazz when I went to school in KC. Because of him, I could enjoy really good jazz music and bands there.
If you weren’t a musician, what would you be doing?
Maybe I would be a chef. I love to make food and enjoy it myself and see the satisfaction on people’s faces when they eat it.