Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
The Lost Generation
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
The Lost Generation
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
The Lost Generation
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
The Lost Generation
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
The Lost Generation
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
The Lost Generation
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
The Lost Generation
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
The Lost Generation
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
Carnegie Hall
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
Carnegie Hall
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
Carnegie Hall
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. P. Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
Carnegie Hall
- Nov 3, 2022 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Program & Artists
Adolf Busch (arr. P. Serkin) Variations on an Original Theme
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Hugo Kauder Symphony No. 1
Leon Botstein conductor
Tickets
- Start at $25
New Voices From the 1930s
- May 12 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Artists
Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano
Tickets
- Start at $25
New Voices From the 1930s
- May 12 at 7 PM
- Carnegie Hall, Stern Auditorium/Perelman Stage
Artists
Leon Botstein conductor
Gilles Vonsattel piano
Frank Corliss piano
Tickets
- Start at $25
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
in-person tickets
virtual tickets
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
Shostakovich & Dawson
- September 11 at 8 PM & September 12 at 2 PM
Fisher Center at Bard, Sosnoff Theater
Artists
Leon Botstein conductor
Tickets
- Live in-person Tickets start at $25
- Saturday evening livestream – Pay what you wish
5-Concert series 35% off the full price
Create Your Own series 25% off the full price
in-person tickets
virtual tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Bram Margoles violin
Sean Flynn viola
Katelyn Hoag viola
Leanna Ginsburg flute
Guillermo García Cuesta trumpet
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Live In-Person tickets start at $15
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
buy subscription
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Saturday Tickets
Sunday Tickets
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
BUY TICKETS
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
BUY TICKETS
Saturday Tickets
Sunday Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
buy tickets
BUY TICKETS
Create Your Own Series
Feb 8 Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
buy tickets
BUY TICKETS
Create Your Own Series
Feb 8 Tickets
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
TEMPLATE
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Crosscurrents: Salon and Concert Hall
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Rebecca Miller
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Rebecca Miller
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Rebecca Miller
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Rebecca Miller
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
In person at Fisher Center at Bard, Sosnoff Theater
- Livestream tickets will also be available
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream Tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
- Livestream tickets $10
In-person tickets: Due to changing health and safety guidelines, the Fisher Center’s ticketing process begins with a waitlist sign-up this season.
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Event Template
- August 13, 7PM
Fisher Center at Bard, Sosnoff Theater
Artists
Tickets
Program
Program
Program
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
- Livestream Tickets $10
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
- Livestream Tickets $10
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
- Livestream Tickets $10
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The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
- Livestream Tickets $10
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
- Nadia Boulanger Three Pieces, for cello and piano
- Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
- Arthur Honegger Symphony No. 2 in D
- Peggy Glanville-Hicks Prelude for a Pensive Pupil
- Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
- Nadia Boulanger Three Pieces, for cello and piano
- Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
- Arthur Honegger Symphony No. 2 in D
- Peggy Glanville-Hicks Prelude for a Pensive Pupil
- Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
- Nadia Boulanger Three Pieces, for cello and piano
- Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
- Arthur Honegger Symphony No. 2 in D
- Peggy Glanville-Hicks Prelude for a Pensive Pupil
- Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
- Nadia Boulanger Three Pieces, for cello and piano
- Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
- Arthur Honegger Symphony No. 2 in D
- Peggy Glanville-Hicks Prelude for a Pensive Pupil
- Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
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Sunday Tickets
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
BUY TICKETS
Saturday Tickets
Sunday Tickets
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
BUY TICKETS
Saturday Tickets
Sunday Tickets
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
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The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Nadia Boulanger Three Pieces, for cello and piano
Igor Stravinsky Concerto in E-flat, “Dumbarton Oaks”
Arthur Honegger Symphony No. 2 in D
Peggy Glanville-Hicks Prelude for a Pensive Pupil
Dinu Lipatti Concertino in the Classical Style, Op. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
Brief remarks by Joshua DePoint bass
Galina Ustvolskaya Symphonic Poem No. 1
U.S. Premiere
20 min
Brief remarks by Batmyagmar Erdenebat viola
Richard Strauss Four Songs, Op. 27
Paulina Swierczek soprano
Sung in German; English translation projected
13 min
Intermission
20 min
Brief remarks by Anita Tóth trumpet
Aaron Copland Symphony No. 3
42 min
The concert will last approximately 2 hours. All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Copland Symphony No. 3
The Bard Music Festival
The Bard Music Festival returns for its 31st season with an exploration of the life and work of Nadia Boulanger (1887–1979), the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians. Through a series of themed concert programs, lectures, and panel discussions, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
The festival will present examples of Boulanger’s own, little-known oeuvre alongside music by her teachers and mentors, including Gabriel Fauré, Louis Vierne and Charles Marie Widor; her Parisian contemporaries, like Claude Debussy, Olivier Messiaen, Francis Poulenc, Maurice Ravel, Erik Satie and expats George Gershwin, Cole Porter and Igor Stravinsky; her male students, including Jean Françaix, Astor Piazzolla, and illustrious Americans Marc Blitzstein, Elliott Carter, Aaron Copland, Philip Glass, Walter Piston and Virgil Thomson; her female students, like Marcelle de Manziarly, Thea Musgrave, Julia Perry and Louise Talma; other women composers, Germaine Taillefaire and Lili Boulanger, Nadia’s celebrated sister, among them; and some of the bygone composers whose music she vociferously championed, like Monteverdi, Bach and Brahms.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William L. Dawson Negro Folk Symphony
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Dmitri Shostakovich Symphony No. 7, Leningrad
70 min
All timings are approximate. Program and artists subject to change.
Sample the Music
William L. Dawson Negro Folk Symphony
Shostakovich Symphony No. 7, Leningrad
William L. Dawson photo via Tuskegee University Archives
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William Grant Still Dismal Swamp
Frank Corliss piano
14 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo by David DeNee
Program
The concert will last approximately 2 hours and 20 minutes.
Brief remarks by a TŌN musician
William Grant Still Dismal Swamp
Frank Corliss piano
14 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo by David DeNee
Program
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by a TŌN musician
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo by David DeNee
Program
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by a TŌN musician
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
Brief remarks by a TŌN musician
Carlos Chávez Piano Concerto
Gilles Vonsattel piano
14 min
Intermission
20 min
Brief remarks by a TŌN musician
Witold Lutosławski Symphonic Variations
9 min
Brief remarks by a TŌN musician
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
30 min
All timings are approximate. Program and artists subject to change.
Sample the Music
Carlos Chávez Piano Concerto
Witold Lutosławski Symphonic Variations
Karl Amadeus Hartmann Symphony No. 1, Essay for a Requiem
Photo by David DeNee
Concert Details
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by a TŌN musician
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
10 min
Brief remarks by a TŌN musician
Walter Braunfels Sinfonia brevis
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Hans Erich Apostel Variations on a Theme by Haydn
20 min
Brief remarks by a TŌN musician
Hugo Kauder Symphony No. 1
All timings are approximate. Program and artists subject to change.
Sample the Music
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by a TŌN musician
Adolf Busch (arr. Peter Serkin) Variations on an Original Theme
10 min
Brief remarks by a TŌN musician
Walter Braunfels Sinfonia brevis
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Hans Erich Apostel Variations on a Theme by Haydn
20 min
Brief remarks by a TŌN musician
Hugo Kauder Symphony No. 1
All timings are approximate. Program and artists subject to change.
Sample the Music
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by a TŌN musician
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
Brief remarks by a TŌN musician
Walter Braunfels Sinfonia brevis
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Hans Erich Apostel Variations on a Theme by Haydn
20 min
Brief remarks by a TŌN musician
Hugo Kauder Symphony No. 1
All timings are approximate. Program and artists subject to change.
Sample the Music
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by a TŌN musician
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
Brief remarks by a TŌN musician
Walter Braunfels Sinfonia brevis
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Hans Erich Apostel Variations on a Theme by Haydn
20 min
Brief remarks by a TŌN musician
Hugo Kauder Symphony No. 1
All timings are approximate. Program and artists subject to change.
Sample the Music
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by a TŌN musician
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
Brief remarks by a TŌN musician
Walter Braunfels Sinfonia brevis
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Hans Erich Apostel Variations on a Theme by Haydn
20 min
Brief remarks by a TŌN musician
Hugo Kauder Symphony No. 1
All timings are approximate. Program and artists subject to change.
Sample the Music
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by a TŌN musician
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
Brief remarks by a TŌN musician
Walter Braunfels Sinfonia brevis
32 min
Intermission
20 min
Brief remarks by a TŌN musician
Hans Erich Apostel Variations on a Theme by Haydn
20 min
Brief remarks by a TŌN musician
Hugo Kauder Symphony No. 1
All timings are approximate. Program and artists subject to change.
Sample the Music
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by TŌN oboist JJ Silvey
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
>Read concert notes by TŌN trumpet player Forrest Albano
Walter Braunfels Sinfonia brevis
32 min
>Read concert notes by TŌN violinist Lana Auerbach
Intermission
20 min
Brief remarks by TŌN trumpet player Maggie Tsan-Jung Wei
Hans Erich Apostel Variations on a Theme by Haydn
20 min
>Read concert notes by TŌN flutist Jordan Arbus
Hugo Kauder Symphony No. 1
30 min
>Read concert notes by TŌN violinist Mae Bariff
All timings are approximate. Program and artists subject to change.
Sample the Music
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
The concert will last approximately 2 hours and 15 minutes.
Brief remarks by TŌN oboist JJ Silvey
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
>Read concert notes by TŌN trumpet player Forrest Albano
Walter Braunfels Sinfonia brevis
32 min
>Read concert notes by TŌN violinist Lana Auerbach
Intermission
20 min
Brief remarks by TŌN trumpet player Maggie Tsan-Jung Wei
Hans Erich Apostel Variations on a Theme by Haydn
20 min
>Read concert notes by TŌN flutist Jordan Arbus
Hugo Kauder Symphony No. 1
30 min
>Read concert notes by TŌN violinist Mae Bariff
All timings are approximate. Program and artists subject to change.
Sample the Music
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
Brief remarks by TŌN oboist JJ Silvey
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
>Read concert notes by TŌN trumpet player Forrest Albano
Walter Braunfels Sinfonia brevis
32 min
>Read concert notes by TŌN violinist Lana Auerbach
Intermission
20 min
Brief remarks by TŌN trumpet player Maggie Tsan-Jung Wei
Hans Erich Apostel Variations on a Theme by Haydn
20 min
>Read concert notes by TŌN flutist Jordan Arbus
Hugo Kauder Symphony No. 1
30 min
>Read concert notes by TŌN violinist Mae Bariff
All timings are approximate.
Sample the Music
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee
Concert Details
Brief remarks by TŌN oboist JJ Silvey
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
>Read concert notes by TŌN trumpet player Forrest Albano
Walter Braunfels Sinfonia brevis
32 min
>Read concert notes by TŌN violinist Lana Auerbach
Intermission
20 min
Brief remarks by TŌN trumpet player Maggie Tsan-Jung Wei
Hans Erich Apostel Variations on a Theme by Haydn
20 min
>Read concert notes by TŌN flutist Jordan Arbus
Hugo Kauder Symphony No. 1
30 min
>Read concert notes by TŌN violinist Mae Bariff
All timings are approximate.
Sample the Music
Walter Braunfels Sinfonia brevis
https://www.youtube.com/watch?v=JIDXgWyTrjc
Hans Erich Apostel Variations on a Theme by Haydn
https://www.youtube.com/watch?v=u9aWDR0M5fg
Photo by David DeNee
Concert Details
Brief remarks by TŌN oboist JJ Silvey
Adolf Busch (arrangement by Peter Serkin) Variations on an Original Theme
10 min
>Read concert notes by TŌN trumpet player Forrest Albano
Walter Braunfels Sinfonia brevis
32 min
>Read concert notes by TŌN violinist Lana Auerbach
Intermission
20 min
Brief remarks by TŌN trumpet player Maggie Tsan-Jung Wei
Hans Erich Apostel Variations on a Theme by Haydn
20 min
>Read concert notes by TŌN flutist Jordan Arbus
Hugo Kauder Symphony No. 1
30 min
>Read concert notes by TŌN violinist Mae Bariff
All timings are approximate.
Sample the Music
Walter Braunfels Sinfonia brevis
Hans Erich Apostel Variations on a Theme by Haydn
Photo by David DeNee